What happened to Echo and the Bunnymen?

What happened to Echo and the Bunnymen?

Echo & the Bunnymen are an English rock band formed in Liverpool in 1978. After releasing a self-titled album in 1987, McCulloch left the band and was replaced by singer Noel Burke. In 1989, de Freitas was killed in a motorcycle accident.

Who produced crocodiles Echo and the Bunnymen?

Ian Broudie
Crocodiles (album)

Label Korova
Producer Bill Drummond David Balfe Ian Broudie
Echo & the Bunnymen chronology
Crocodiles (1980) Heaven Up Here (1981)

Is Ian Mccullough married?

Lorraine Foxm. 1983–2003
Ian McCulloch/Spouse

Is Echo and the Bunnymen Goth?

Bauhaus was goth; Peter Murphy or Love and Rockets were alternative. The intriguing inclusion of such seemingly tangential goth acts as the Jesus and Mary Chain, Skinny Puppy, Cocteau Twins, Echo & the Bunnymen, and Dali’s Car force the listener to rethink their definitions of “goth.”

Who is in Echo and the Bunnymen?

Ian McCulloch
Echo and the Bunnymen are Ian McCulloch, vocals and Will Sergeant on guitar. They formed in Liverpool in 1978 with bassist Les Pattinson. Shortly afterwards they recruited Pete De Freitas and the rest they say is history.

Where is Ian McCulloch from?

Liverpool, United Kingdom
Ian McCulloch/Place of birth

When did Echo and the Bunnymen crocodiles come out?

Singles from Crocodiles. Crocodiles is the debut album by the English post-punk band Echo & the Bunnymen. It was released on 18 July 1980 in the United Kingdom and on 17 December 1980 in the United States. The album reached number 17 on the UK Albums Chart.

Who are the members of Echo and the Bunnymen?

Echo & the Bunnymen formed in 1978 and originally consisted of Ian McCulloch (lead vocals), Will Sergeant (lead guitar), Les Pattinson (bass) and a drum machine. They released their debut single, “The Pictures on My Wall”, in May 1979 on the independent label Zoo Records.

What kind of reviews did crocodiles get?

The music and the cover of the album both reflect imagery of darkness and sorrowfulness. The album received favourable reviews from the music press, receiving four out of five stars by both Rolling Stone and Blender magazines.